Music director duos are a unique Bollywood feature, and many have become iconic. In this special series, Dinesh Raheja explores prominent music duos, and their dynamics.
Himesh Reshammiya does not have the swag or the acting chops to play a loose cannon cop, sighs Deepa Gahlot.
Five outsiders with zero connections in the film industry and no money made their mark despite nepotism ruling the roost.
Mithun Chakraborty started from scratch in bit roles and had no Godfather backing him. Yet, remarkably, his career now straddles six decades and he continues to win acclaim, observes Dinesh Raheja.
Krrish 3 was among the films that stood at the bottom of the barrel this year.
Kung Fu Yoga assaults both senses and soul, warns Sukanya Verma.
With an endless number of star kid debuts in the offing, we thought of looking at how this decade's brigade compares to their mums, dads, uncles or siblings.
Ten sequels that either complemented the first or surpassed it.
'Mithun has showed Hindi cinema that a tall, dark man with a charming smile and a great physique can take the world on.'
Kaliyon Ka Chaman starlet Meghna Naidu about her latest project.
Like its commonplace production values, chaotic screenplay, absent-minded storyline and bland soundtrack, Maan Gaye Mughal-E-Azam is a yawn-inducing exercise in misplaced overindulgence.
Far from outraging any woman's sensibility or sense of modesty, Ranveer looks like he could do with a hot meal and a hug, notes Deepa Gahlot.
Julie 2 does not rise above being a B-grade flick, says Urvi Parikh.
'Oscar has been given to A R Rahman.' Ringa Ringa Ringa, Choli ki peeche kya hai -- What's the difference? Exactly the same. Also, Jai ho.' 'I did Ramba ho in 1985.' 'Rahman combined three of my songs and got Best Original Score.' 'The Ho came from me.' 'Bappi Lahiri brought the Ho to Bollywood.'
Super Model is everything it shouldn't be -- dowdy, uninteresting, and clumsy.
'The media, particularly the national media and especially the English media, do not report these stories any longer.' 'They have no interest in crime or human interest stories that do not concern the wealthy,' says Aakar Patel.
25 years on, we see how these actors have fared.
As Sunny Leone's film, Mastizaade, hit screens amidst a wave of unprecedented social media support for her, Ritika Bhatia finds out what India thinks of the actor.
